CD Review (US) * Musical America * CD Review (UK) * Gramophone (UK) * American Record Guide * Fanfare * Consumers’ Research Magazine * Pan Pipes of Sigma Alpha Iota * The Sacramento Bee * Mesa Tribune/Scottsdale Life (AZ) * The Bellingham Herald (WA) * The Tri-Cities Herald (WA) * DeKalb News (GA) * Spokesman-Review (WA) * Lewiston Morning Tribune (ID) * The Buffalo News * Theatre Organ * Omaha World-Herald * Manchester Cricket (MA) * Triad Style (NC) * Moscow-Pullman Daily News (WA) * Raleigh-Durham Spectator * Daily Nebraskan * Keyboard Magazine * Clavier * Journal of the Association of Anglican Musicians * Soli Deo Gloria * American Music Teacher * Keyboard Classics * Continuo * Cadence * Walla-Walla Union Bulletin (WA) * The Daily Evergreen (WA) * The Idahonian/Daily News (WA) * The American Organist * The Fresno Bee * Strings * Piano & Keyboard * The Diapason * Union-Sun & Journal (NY) * Eastman Notes * Penn Sounds * The Southtowns Citizen (NY) * Centre Daily Times (PA) * Hilltopics (WA) * UB Reporter (NY) * UB Today (NY) * Feminist Periodicals * Appleton Post-Crescent (WI) * Feminist Collections * Oshkosh Northwestern (WI) * Stevens Point Journal (WI) * IAWM Journal * CrossAccent: Journal of the Association of Lutheran Church Musicians * Sforzando *

“Christmas in Dallas,” The American Organist, July 1998 (review)
“Concert to spotlight women,” Oshkosh Northwestern, April 16, 1998 (article)
“Chancel choirs perform in Oshkosh Sunday,” Oshkosh Northwestern, March 30, 1998 (citation)
“Women in music concert features students, faculty,” Oshkosh Northwestern, March 20, 1998 (article)
“Guest concert organist Harbach in Oshkosh program,” Oshkosh Northwestern, March 20, 1998 (article)
“UWO departments tie for innovation award,” Oshkosh Northwestern, March 1, 1998 (article)
“Women of Note Quarterly,” Feminist Periodicals, Winter 1998 (citation)
“Professing with love: Barbara Harbach is on a musical mission,” The Appleton Post-Crescent, December 11, 1997 (article)
“Summershimmer,” American Record Guide, May/June 1997 (review)
“Women of Note Quarterly,” Feminist Collections, Spring 1997 (citation)
“Organist to perform,” Stevens Point Journal, March 17, 1997 (article)
“Noted organist to play concert,” Stevens Point Journal, March 12, 1997 (article)
“Sonatas by Elizabeth,” IAWM Journal, February 1997 (review)
“Summershimmer,” The Diapason, February 1997 (citation)
“Sonatas by Elizabeth,” Sforzando, February 1997 (review)
“Carry On, Roberta,” CrossAccent: Journal of the Association of Lutheran Church Musicians, January, 1997 (citation, excerpt)
“Women Composers for Organ,” Fanfare, January/February 1997 (review)
“Gardner Read: Chamber Music,” Fanfare, November/December 1996 (review)
“WSU Putting Its Future On Line,” The Spokesman-Review, November, 10, 1996 (front page interview)
“Matthew Camidge, Six Concertos for Solo Organ,” The American Organist, September 1996 (review)
“Classical Prodigies and Sheet Music by Elizabeth Weichsell,” Piano & Keyboard, July/August 1996
“Classical Prodigies,” American Music Teacher, June/July 1996 (citation)
“Fanny Hensel and Other Works by Women,” The American Organist, May 1996 (citation)
“Classical Prodigies,” Fanfare, March/April 1996 (review)
“Sonatas by Elizabeth,” “18th Century Women,” American Record Guide, March/April 1996 (review)
“We Offer Thanks,” “What is the World to Me,” Journal of the Association of Anglican Musicians, March 1996 (reviews)
“Close Your Eyes: Women Jazz Composers,” Cadence, March 1996 (review)
“We Offer Thanks and Praise,” Clavier, February 1996 (review)
“Barbara Harbach, Hester Park, and Other Women of Note,” Fanfare, January/February 1996 (article)
“Sonatas by Elizabeth,” Fanfare, January/February 1996 (review)
“18th Century Women Composers: Music for Solo Harpsichord, Vol. 1,” and “Classical Prodigies,” The Diapason, January 1996
“What is the World to Me,” Clavier, January 1996 (review)
“Two ‘New’ Elizabeths,” Piano and Keyboard, January 2, 1996 (review)
“Women composers: Specialty music spawns surprises,” Mesa Tribune/Scottsdale Life, December 15, 1995 (article)
“Mendelssohn’s Prelude for Organ,” Eastman Notes, December 1995 (citation)
“Fanfare and Toccata on ’Lasst Uns Erfreuen’,” Eastman Notes, December 1995 (citation)
“Sonatas by Elizabeth,” The Diapason, December 1995 (citation)
“UNL finalist would link technology, learning,” Lincoln Journal Star, November 23, 1995 (citation)
“Close Your Eyes: Women Jazz Composers” & “Sonatas by Elizabeth,” Hilltopics, November 1995 (article)
“Gardner Read Chamber Works,” Penn Sounds, Winter 1996
“UNL finalist George involved in virtual education project,” Omaha World-Herald, November 22, 1995 (citation)
“WSU provost to jazz Lincoln campus today,” Daily Nebraskan, November 21, 1995 (citation)
“Harpsichord Music by 20th Century Composers,” Raleigh/Durham Spectator, November 2, 1995 (CD review)
“Kudos and thanks,” The Daily Evergreen, October 27, 1995 (citation)
“Sonatas by Elizabeth,” The Spokesman-Review, October 22, 1995 (review)
“Diverging musical tastes get trio of treats,” The Tri-Cities Herald, October 20, 1995 (article)
“Organist records CD at St. Paul’s,” The Bellingham Herald, October 5, 1995 (article)
“Women Composers: Lost and Found,” The Sacramento Bee, October 1, 1995 (citation)
“Harbach records 1700s women’s talent on new CD,” Moscow-Pullman Daily News, Sept. 28, 1995 (article)
“Pullman company releases compact disc,” Lewiston Morning Tribune, August 4, 1995 (article)
“Harbach’s Fanfare and Toccata on ’Lasst Uns Erfreuen,’” Clavier, May/June 1995 (review)
“Mendelssohn’s Prelude for Organ,” Clavier, May/June 1995 (review)
“Schumann’s Prelude and Fugue for Organ, Op. 16, No. 3,” The Journal of the Association of Anglican Musicians, May 1995 (review)
“Schumann’s Prelude and Fugue for Organ, Op. 16, No. 3,” Clavier, April 1995 (review)
“Arias for Trumpet and Organ,” Clavier, April 1995 (review)
“Society restricted female composers,” and “Music of women composers given exposure,” The Lewiston Morning Tribune, March 10, 1995 (articles)
“As Sun Disperses the Mourning Clouds,” The Journal of the Association of Anglican Musicians, March 1995 (review)
“Magazine making musical waves,” The Spokesman Review, December 27, 1994 (article)
“Women Composers for Organ” The American Organist, October 1994 (review)
“Concerto for the Piano in E-flat Major,” Piano and Keyboard, September 1994 (review)
“Recordings showcase women composers,” Walla Walla Union-Bulletin, August 22, 1994 (quote and citation in article)
“Women Composers for Organ,” American Record Guide, March 1994 (review)
“Women Composers for the Organ” Review (UK), February 1994 (review)
“The Luther Cantata,” Soli Deo Gloria, Pentecost/Advent 1993 (review)
“Bach: The Art of the Fugue,” Fanfare, November 1993 (citation)
“Livonia native’s career in tune,” Centre Daily Times, August 1993 (article)
“Karl Höller: Organ Music,” The American Organist, May 1993 (review)
“20th Century Harpsichord Music, Volumes 2 - 3,” The Diapason, May 1993 (review)
“Pullman’s Woman of Note: Internationally recognized keyboardist makes her home on the Palouse,” The Spokesman Review, April 17, 1994 (article)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” Piano and Keyboard, January 1993 (review)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” American Music Teacher, December 1992 (review)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” Clavier, December 1992 (review)
“Karl Höller,” Strings September 1992 (article and review)
“Organist to perform Bach, Mendelssohn,” The Fresno Bee, October 18, 1992 (article)
“WSU composer performs Tuesday” Moscow-Pullman Daily News, October 12, 1992 (article)
“WSU provost, music professor to tour Korea” Moscow-Pullman Daily News, October 8, 1992 (article)
“Contemporary Organ Music” The Diapason, November 1992 (review)
“Church Acoustics Attract Musician” DeKalb News, DeKalb County, GA, September 1, 1992 (article)
“Barbara Harbach, professor at Washington State University, presented a double musical treat,” The American Organist, August 1992 (review)
“Contemporary Harpsichord Chamber Music,” American Record Guide, July 1992 (review)
“Zephyr refreshes with modern music” The Spokesman-Review and Spokane Chronicle, May 13, 1992
“Karl Höller: Organ Music,” The American Organist, May 1992 (review)
“Violin Music by American Composers,” Fanfare, November 1992 (citation)
“Bathe My Soul,” “To Kindle Every Heart,” The American Organist, November 1992 (review)
“Maria Hester Park’s Larghetto,” Keyboard Classics, Sept./Oct. 1992 (citation and reprinting of excerpt)
“Eighteenth-Century Women Composers for the Harpsichord or Piano,” Continuo, June 1992 (review)
“Tops in Keyboard,” The Spokesman-Review and Spokane Chronicle, March 15, 1992 (article)
“16th Annual Keyboard Readers Poll Awards,” March 1992 (award)
“WSU’s Harbach to present recital,” Moscow-Pullman Daily News, April 9, 1992 (article)
The Diapason, December 1991 (citation)
“Karl Höller: Organ Music,” The Organ (UK), October 1991 (review)
“Harpsichordist to make her NW debut in Pullman,” Idahonian/The Daily News, October 27, 1991 (article)
“Composer Gardner Read To Premiere Fantasy-Toccata,” Manchester Cricket, October 24, 1991 (article)
“Scheulke organ still makes music in Gardenville,” Western New York Catholic, December 1991 (article)
“Organ and Harpsichord Discs” Pan Pipes of Sigma Alpha Iota, Fall 1991 (reviews)
“Back at the Keyboard,” The Buffalo News, September 27, 1991 (article)
“20th Century Harpsichord Music Volumes II and III and Contemporary Organ Music,” Triad Style, September 11, 1991 (review)
“Karl Höller: Organ Music: Organist and harpsichordist Barbara Harbach is a musician with wide-ranging interests” Fanfare, July 1991 (review)
“Karl Höller: Organ Music” Consumers’ Research Magazine, July 1991 (review)
“Karl Höller: Organ Music” American Record Guide, July 1991 (review)
“Twentieth Century Harpsichord,” American Record Guide, July 1991 (review)
“Twentieth Century Harpsichord Music, Volumes 2 and 3,” Review, July 1991 (review)
“Buffalo to the World: The prime delight of the excellent Albany CD featuring keyboard artist extraordinaire Barbara Harbach,” The Buffalo News, June 21, 1991 (review)
“Just Say Awesome” The Buffalo News, May 31, 1991 (article)
“Astonishingly, Shea’s Buffalo Theatre was perhaps two-thirds full,” Theatre Organ May 1991 (review)
“Pulling out all the stops,” Idahonian/The Daily News, May 4, 1991 (article)
“Composer, artist: Harbach does it all” UB Today, Spring 1991 (article)
“American Hymn Preludes,” Consumers’ Research Magazine, March 1991 (review)
“Bach: Goldberg Variations and Art of the Fugue,” American Record Guide, March 1991 (review)
“American Hymn Preludes,” American Record Guide, March 1991 (review)
“18th Century Harpsichord Music by Women,” American Record Guide, March 1991 (review)
“Two organists provide contrast in style” The Buffalo News, February 4, 1991 (concert review)
“20th Century Harpsichord Music, Vol. II,” Consumers’ Research Magazine, January 1991 (review)
“American Hymn Preludes,” Fanfare, January 1991 (review)
“Director could do nothing wrong” The Southtowns Citizen, January 21, 1991 (review)
“One more mantle: Long one of the most energetic and tireless performers on the Western New York music scene, Barbara Harbach” The Buffalo News, January 11, 1991 (article)
“J.S. Bach Goldberg Variations and Art of the Fugue,” CD Review, January 1991 (review)
“Contemporary Organ Music: This is a terrific disc,” American Record Guide, January 1991 (review)
“American Hymn Preludes,” The Diapason, December 1990 (review)
“Eighteenth Century Solo Harpsichord Music by Women Composers, Volume II,” Fanfare, November 1990 (review)
“18th Century Harpsichord Music by Women Composers, Volume 2 and 20th Century Harpsichord Music, Volumes 2 and 3,” The Buffalo News, November 9, 1990 (reviews)
“Bach Goldberg Variations and The Art of the Fugue,” Fanfare, November 1990 (review)
“Twentieth Century Harpsichord Music, Volumes 1-3,” Fanfare, November 1990 (reviews)
“Contemporary Organ Music,” Fanfare, November 1990 (review)
“Barbara Harbach: 20th Century Harpsichord Music,” Musical America, July 1990 (review)
“UB Keyboard Artist Among Finest in Nation,” Union-Sun & Journal, Lockport, NY, September 5, 1990 (article)
“Performing, Writing: Harbach does it all,” UB Reporter, September 6, 1990 (article)
“Music for Solo Harpsichord by 18th Century Women Composers: This is an exceptionally attractive collection,” Fanfare, March 1990 (review)
“UB Keyboard Artist Among Finest in Nation” Union-Sun & Journal, Lockport, NY, September 5, 1990 (article) The Buffalo News, Friday, February 16, 1990 (citation in article)
The Diapason February 1990 (citation in article)
“14th Annual Keyboard Readers Poll” Keyboard Magazine, January 1990 (award)
“Westminster Choir, Philharmonic rise to challenge of two 20th-century works,” The Buffalo News, Jan. 28, 1990 (concert review)
“Eighteenth Century Harpsichord Works CD,” Gramophone, December 1989 (review)
“Music for Solo Harpsichord by Eighteenth Century Women,” Fanfare, November 1989 (review)
“Music for Solo Harpsichord by Eighteenth Century Women Composers and 20th Century Harpsichord Music,” Pan Pipes of Sigma Alpha Iota, Fall 1989 (reviews)
“Twentieth Century Harpsichord CD,” Gramophone, March 1989 (review)
“Harbach Shows Skills in ’The Art of the Fugue,’” The Buffalo News, January 30, 1989 (review)