ENGLISH 4270/5250 SUMMER
2018 Third
Essay Assignment
Essays
are due by Monday, July 9; they should be typed,
double-spaced, and ±1800 words in a 12-point font. Please submit them
electronically to fgrady@umsl.edu.
In
considering these topics, bear in mind that they are starting points, and that
simply answering in sequence the questions below will not produce a good or
even a coherent essay. Develop your own
particular thesis, and be sure to support your argument through frequent and
specific reference to the text. Please
let at least one human being proofread your essay before you hand it in, and
don’t use the word “portray.”
1. Design
your own topic, of suitable specificity and sophistication, about something
that interests you in Le Morte Darthur. Provide me
with a one-paragraph description of your topic no later than Thursday, July 5. Feel free to consult with me in developing
this topic; discussing it with your classmates is highly recommended, too.
2. Does Langland’s Will
have anything in common with Malory’s Lancelot?
3.
We know what heroic avenues are available for manly knights, but what roles are
open for women in a world like that of Malory’s Morte? What does the world of
romance offer to women, and on what does their status, interest, role, or
function depend? How much control does
love—whether “courtly” or not—give Malory’s women over their affairs?
4. Discuss
Malory’s use of disguise and mistaken identity in the Morte.
5.
“…violence provides the foundation for an elaborate structure of exchange which
determines hierarchies among men…[it is] an
institutionalized means of acquiring economic wealth [designed to] stabilize
the social order” (Laurie Finke & Martin Schichtman). Write about the role and function of violence
in Malory’s Morte.
6. Compare
the Gawains we've seen this semester in Sir Gawain
and the Green Knight and Le Morte D'Arthur. How do different writers use Gawain to
represent different attitudes towards chivalry and heroic knightly
behavior? What, if anything, do the characters have in common?
7. Though
Malory’s title is the Morte D’Arthur, and
Caxton devotes his preface to the text to discussing the evidence for Arthur’s
historical existence, in the later books of the Morte it’s clear that Lancelot’s
role is what interests Malory most.
Discuss, hypothesize about, review, critique, extol, explain, and
otherwise ruminate about Lancelot’s importance in Malory’s text.
8. Though
Malory’s title is the Morte D’Arthur, and
Caxton devotes his preface to the text to discussing the evidence for Arthur’s
historical existence, in the later books of the Morte it’s clear that Lancelot’s
role is what interests Malory most. What
happens to Arthur? Discuss Arthur’s role
in the later books of the Morte.
9. The
Grail Quest includes all of the usual elements of a chivalric adventure:
knights in armor undertake battles, quest far and wide, participate in
tournaments, etc. But it clearly differs
from other episodes in Malory’s Morte. How does Malory modify our understanding of
the knight’s role in the world, and the meaning of chivalric adventure? Does
Malory mean his Grail Quest to sanctify the idea of knighthood, or diminish it
by comparing it to more spiritual modes of being? How does the Grail Quest change the way we
read the last books of the Morte—if it does?
10. When
does the taking of sides matter in Malory’s Morte D’Arthur? Under what set of
circumstances does it matter which group or team or country one fights with, in
a joust, a tournament, or a war? What
are the consequences of choosing a particular side in a particular
situation? In what ways do such choices
merit praise or blame—and from whom?
(And what’s the difference between a tournament and a war, anyway?)
11. “….If
chivalric rectitude lies on the side of the knight who
kills a knight because that knight has killed a knight, then what activity
distinguishes good knights from bad? How
can the chivalric good be defined if killing knights marks knightly rectitude
as well as the evil it opposes?” (Christopher Cannon, “Malory’s Crime,” 160-61)
Write an essay about telling good knights from bad in Malory's Morte D'Arthur.
12. Is a
true Christian chivalry possible, according to the Arthurian romances we've
read?